Wednesday, April 02, 2014

New Poetry by Libby Hart









Virtus

A memory of dancing with my grandfather: my feet placed on his feet,
each step lifting me across his living room. The air between us a trusted
loop as suburban light leaches. The touch of lace curtains, the smell of
dusted life, as I brush up against them. Once a turn takes hold I will rest
beside him—my
small body acting as talisman to ward off death. I hold
his warmth to keep him even warmer. I listen for the song of his
faulty heart. I will him back from the halfworld. When tidings fall from
his mouth I breathe anew. I listen to a tale of the Japanese in New
Guinea. I learn something about Errol Flynn. Somewhere inside this
moment there is a chuckle, a squeeze of hand to keep me anchored
otherwise I am like the wind.


- Libby Hart 2014




Eugene Schieffelin

I take this dark flight-body, its suit of speckle.Throat of feathers loose and long.Mimic chatterer, insect stalker, hunter of seed—this love-heart-wearer who stirs implicitly.I murmur safe passage and with upturned hands,with onlooking ‘O’, I watch her rise and wamble.


- Libby Hart 2014


Wild
A new collection of poetry from Libby Hart
Drawing upon fable, myth and on the mystery and wonder of the natural world, Libby Hart’s poetry takes the reader into astonishing and beguiling territory. She is able to reveal relationships and realities that for most of us are hidden and beyond our ability to describe. Her language is seductive, questing; her vision is daring. She writes with a lyrical fecundity few can match. I love these [Wild] poems for the way in which they embellish each other and keep faith with their convictions. These are poems I will be returning to again and again. Judith Beveridge

Wild is forthcoming from Pitt Street Poetry in 2014.






Tuesday, April 01, 2014

New Poetry by Phillip Ellis









Beyond the Curvature

Beyond the curvature of the world,
beyond the immediate world,

there is a wider world,
a world of seven billion, and so it goes.

The world that turns is the world I love,
a world that I can take snapshots of,
and construct a set of images of,
and do something positive for.

On nights like this, when the sky is humid,
and the heat crawls over me,
I wonder for whom this world is the same.
Does it move others to make poetry,

patterns that quote those that have been spoken,
and those that utter echoes that others refract?



- Phillip Ellis 2014

Tuesday, March 25, 2014

Dear Justin

Thank you for granting the National Library of Australia a copyright licence to include your website in the PANDORA Archive. As agreed this licence permits the Library to copy your publication into the Archive and to retain that copy and provide online public access to it in perpetuity.

I am delighted to inform you that your publication is now publicly available in the PANDORA Archive at http://nla.gov.au/nla.arc-145305

Access to your publication in the Archive is facilitated in two ways: via the Library’s online catalogue; and via subject and title lists maintained on the PANDORA home page http://pandora.nla.gov.au/index.html.

Should the location of the title change, or should you decide to cease publication, we would appreciate it if you would advise us so that we can ensure all relevant data is archived.

If you wish you may indicate your archived status by using a PANDORA logo button or by incorporating a PANDORA search box in your website. The details on how to access these are at: http://pandora.nla.gov.au/publishers.html#logo

I would welcome any comments you may have regarding the presentation of your publication in the archive and please do not hesitate to contact me if you have any questions.


Web Archiving Section
National Library of Australia

Monday, March 24, 2014

New Words and Pictures by Wayne H. W Wolfson



Cecilia & Emily

"Do you Remember that time in Vienna?"
"Of course.."
"Is it a good memory, that was the first time that...."
The pause to see if I would change the subject or walk into the other room and start puttering about as we talked.
"It is..."
"Do you think it is for her too? "
"Wouldn't I play the part of the bad guy in the whole thing were it not a fond memory?"
"No, not at all, you had come into the bar after meeting with that collector, the one whose wife had the crazy eyes. We had already been sitting there talking for an hour or so, drinking that heavy wine. I think initially I did lead her to believe there would not be any men, a man, you, involved..."


With the passage of time more and more of the story I had not been there to witness came out. And why not, we three now had so much dirt on each other now, drunken jests aside, there could no longer be any judging. 
"I think her recollection, the flavor of it depends largely upon her mood but that is how it is for her anyways."


We stood there, her cheeks flushed and I could tell a mobious strip of tangled limbs was replaying in her mind's eye. She used up her allotted silence in reverie. I put some Lester Young on letting his soft clouds float across the room to be melted by her heat.


- Wayne H. W Wolfson 2014

www.waynewolfson.com

Thursday, March 06, 2014

New Poetry by Donal Mahoney









Ash Wednesday

Ash Wednesday I saw Quinn again,
first time in years, sailing the streets,
weaving through people,
collar up, head cocked,
arms like telephone poles sunk
in the pockets of his overcoat,
 
the brilliant pennants of his long red hair
waving over the stadium
where years ago he took my handoff,
bucked off guard, found the free field,
and heaved like a bison 
into the end zone.
 
Tonight, when Quinn wove by me muttering,
I should have handed him the ball.
I should have screamed, “Go, Quinn, go!”
He would have stiff-armed the lamppost,
found the free field again,
left all in his wake to gawk
 
as he hit the end zone
and circled the goal posts,
whooping and laughing,
flinging the ball like a spear
over the cross-bar,
back to Iraq.


- Donal Mahoney 2014



Nominated for Best of the Net and Pushcart prizes, Donal Mahoney has had work published in various publications in North America, Europe, Asia and Africa.  Some of his earliest work can be found at http://booksonblog12.blogspot.com/.

Friday, February 28, 2014

Vale Matthew John Davies (1985-2014)

It was with great sadness that Bluepepper recently learnt of the untimely death of Matthew John Davies, a frequent contributor to this site and an extremely gifted poet. Below are a few words penned by the poet Robbie Coburn in Matthew's honour.


Matthew John Davies sadly passed away this month.
Born in 1985, Matthew was a Brisbane poet who was published in many journals including Rabbit, Page Seventeen, Regime Magazine, Bluepepper. He was educated at the University of Queensland. His favorite poets included William Blake and Francis Webb and he adored Leonard Cohen. He also had a keen interest and knowledge of cinema. 
I first became aware of Matthew's work when we shared the pages of the first issue of West Australian magazine, Regime in 2011.
Revisiting his work now is difficult, as so many signs present themselves. His poetry has a raw and haunting quality, filled with longing, yet he would often remove himself from the text as if writing about someone else. 
On the night I heard of his death last week, I read through all of his poetry I could find, and felt the devastation of it all. There was a prevailing feeling of emptiness within me that uprooted any notion of understanding and amplified the shock and Grief. 
His poem 'Shortcuts' is one that encapsulates the trial of a life clouded by an unrelenting darkness, discussing attempts at positive change, culminating with the character's death in order to 'find a heaven'.

I was aware Matthew was struggling and depression was a battle he was fighting uphill, but was shocked when the news came through of his passing. It's not something any of us wanted to predict. Most of the poetry community, the connections of which exist largely online, only knew parts of Matthew, and it is harder to accept when we only see a poet who is with us one day and gone the next. We feel we know the poet, but in fact only know parts of the man. 
Matthew's parents have stated since his death that "his poetry and the friendships of his fellow poets  sustained him" and it is clear his short life was one of significance to many people all over Australia.
He lived for poetry as so many of us do, and his life was rich with his art and love for those who influenced and loved him.
The widespread outpours of love for Matt are astounding, with so Many of us moved and effected. So many poets and writers have expressed their sadness and condolences and we come to realize matt was never alone in life and certainly isn't alone now that he has left. Many poets have written poems in Matthew's memory.
We still have Matthew, who exists through his work and the memories his loved ones hold of him.
Bob Adamson told me something regarding the situation, as we shared our grief, that has stayed with me and helped to heal immensely. I told him how pointless everything felt and he Said that " It's not pointless, it's up to us to keep alive his lovely spirit and his work, that's his legacy and his love.  As long as we have him in our minds and hearts he will live on."
Bob is absolutely right and I think these words apply to everyone looking for answers and closure during this difficult time and beyond.

It serves no good to remember only the hell that claimed him; we instead can rejoice as Matthew John Davies has found his heaven and is now eternally breathing poetry in paradise.

- Robbie Coburn


Tuesday, February 25, 2014

New Poetry by Robbie Coburn









Young In the Old City

flood of winter morning. the bleak city skinned by daylight.
transfusions of colour and shade
thrown from an absolved sun against embodied streets.
at the edge of the footpath 
you release the day into delusions.
breath protrudes the breeze.
coerced into a position to hear, to listen. you walk through streets of pattern-work designed by years
lost in the parade of bodies
with a throat of toxins, your eyes bottled by sobered hands. the outskirts are a transition, a distant solitude.the lightless city strangles them with smoke and time. crowds revolve, there is no fixed life form. nothing here is staying. you see yourself statistically.
parks and gardens are imagined sites. sit down and then walk again through the repeating clutter. an ocean of cloned shadow.
these people do not recognize you. cannot name your face but know all about where you're going. expect nothing articulate from your mouth. to discover  the generation you're a part of is lost obliterates you.


- Robbie Coburn 2014


Paddocks of Rain  - for Matthew John Davies

I walk alone in dark rains. thick wires empty
from a greying sky
traced though the air onto the grasses
striking open paddocks

every voice ringing from the rain is imprinted,
seeping into the hollowed fence posts beneath
the smoking clouds
within the night yards
dogs snarling at a faceless prey

this far from town, waters set a barrier-
a distance between bodies, separated flesh.
a single pair of
footsteps immediately covered by
the dampening ground

transparent threads filling trodden soil
like breath in a cold paddock,

silent in the rain, a car
persists down the road.


- Robbie Cobuen 2014



Robbie Coburn was born in June 1994 and lives in the rural district of Woodstock, Victoria, Australia. His poetry and critical work has appeared in many publications including Going Down Swinging, Cordite, Voiceworks and Rochford Street Reviw. His first full collection of poetry Rain Season (Picaro Press) was published in 2013. He is well into a second collection, titled The Other Flesh.


Friday, February 21, 2014

New Poetry by Michele Seminara







Everything
Everything's so full of lasts,
quivering, on the brink.
Time thrusts forward.
The body vehicle will not cease
decaying, children growing 
ever distant, the umbilicus unraveling 
to unbearable lengths
 as we circumvent this world. 

Pause pause pause!

People pass by in a slurry 
of incessant transformation.

Surely there must be a limit?
(There is not.)

Death, inbuilt in those I've born
is yet half grown in me; 
close to flowering powerfully out 
of my grandmother's powdery furrows.

Routine lends the illusion of solace:
tranquilised to truth we sleep
fitfully, swaddled against horror.
- Michele Seminara 2014

Michele Seminara lives in Sydney, Australia, with her husband and three children. She has been practising and teaching yoga, Buddhism and meditation for fifteen years. Her writing has been published in many online and print journals, and she was recently nominated for a Pushcart Prize. Her passions are emptiness (the Buddhist kind) and poetry. She blogs at http://micheleseminara.wordpress.com/ and is on twitter @SeminaraMichele

Monday, February 03, 2014

New Poetry by Donal Mahoney









Surprise, Surprise

The mother's dead. 
Thirty years later 
you meet the daughter 
and realize the daughter 
is the mother again, 
poking her finger 
in your chest half an hour
after her plane lands. 
The same laugh knocks
folks in the elevator 
back a bit.

Every time the daughter 
grabs your arm 
to emphasize a point
the way the mother did,
you want a ticket
to the Maldives
or maybe Bulgaria.
Sofia in the summer
might be nice.

This time, however,
you stay put.
She found you
on the Internet.
You must admit
the freckles 
across her nose 
scream she's right: 
You are her father. 
Surprise, Surprise.
Her mother never said.


- Donal Mahoney 2014


Donal Mahoney lives in St. Louis, Missouri. 

Friday, January 31, 2014

New Poetry by William G. Davies Jr.









At The Cemetery
 
January is such
a conducive month
to die in.
Its cold, dark.
The trees are blank
and that uncle
who's cheating
on his wife
invariably arrives late
to a chorus
of vapory exhalations.


- William G. Davies Jr. 2014
 
 
The New Year
 
Snow endows
January's torpid light
with a CFL aura
as if the incandescence
of Christmas
had been so long ago
and those four packs
of GE colored bulbs
never looked better
than strung on the tree.


- William G. Davies Jr. 2014